Painting as a Feedback System Painting is often imagined as a sequence of intentional acts: a decision is made, a mark is applied, and the painting advances toward completion. My experience of painting is different. Each action generates information, and that information demands a response. The work evolves less as a plan and more as […]
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Why I Resist Resolution in Painting Resolution is often treated as a virtue in painting. It suggests clarity, control, and completion. But resolution also closes things down. It stabilizes perception, quiets tension, and signals that attention can stop. In my practice, this moment is not an endpoint—it is a warning. When a painting begins to
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What Perception Feels Like Under Pressure In the studio, pressure is not a metaphor; it is a working state. It emerges through speed, repetition, interruption, and density. Marks accumulate faster than they can be processed. Lines cross, reroute, and overwrite one another. Color interrupts itself before it settles. What forms is not an image, but
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